Contrabassoon Fingering Chart
Interactive fingering demonstration + beginner learning guide + free PDF download
Interactive Contrabassoon Fingering Chart
🎵 How to Use This Interactive Chart
Step 1: Choose Key Signature
Select your desired key signature from the dropdown menu. This will show you which notes are sharp or flat in that key.
Step 2: Click on a Note
Click any note button below to see the correct key fingering. The contrabassoon diagram will highlight the keys you need to press.
Step 3: Learn the Fingering
Study the highlighted keys on the contrabassoon and read the fingering description. Practice until it becomes automatic!
Select a Note
Contrabassoon Fingering Chart Image (PRINTABLE)
High-quality contrabassoon fingering chart perfect for practice and reference. Download PDF
📚 Complete Contrabassoon Fingering Guide
For a comprehensive deep-dive into contrabassoon fingerings, register breaks, and advanced techniques, check out our detailed guide:
BEGINNER CONTRABASSOON FINGERING CHART
(Standard Contrabassoon | German System)
1. Basic Fingering Combinations (Lower-Mid Register)
| Note | Left Hand | Right Hand | Thumb Keys | Description |
|---|---|---|---|---|
| Bb1 | L1, L2, L3, L4, L5 | R1, R2, R3, R4 | LT, RT | All left, first 4 right + both thumbs |
| C2 | L1, L2, L3, L4, L5 | R1, R2, R3 | LT, RT | All left, first 3 right + both thumbs |
| D2 | L1, L2, L3, L4, L5 | R1, R2 | LT, RT | All left, first 2 right + both thumbs |
| E2 | L1, L2, L3, L4, L5 | R1 | LT, RT | All left, first right + both thumbs |
| F2 | L1, L2, L3, L4, L5 | - | LT, RT | All left fingers + both thumbs |
| G2 | L1, L2, L3, L4 | - | LT, RT | First 4 left + both thumbs |
| A2 | L1, L2, L3 | - | LT, RT | First 3 left + both thumbs |
| Bb2 | L1, L2, L3, L4, L5 | R1, R2, R3, R4 | LT, RT | All left, first 4 right + both thumbs |
Tip: Always use both thumb keys (LT and RT) for proper support and tone quality. The contrabassoon requires more air support than the bassoon.
2. Essential Beginner Scales
Practice these scales to develop finger dexterity and smooth transitions in the contrabassoon's comfortable range.
F Major Scale
F2 (LT, RT, L1, L2, L3, L4, L5) - G2 (LT, RT, L1, L2, L3, L4) - A2 (LT, RT, L1, L2, L3) - Bb2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - C3 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3) - D3 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - E3 (LT, RT, L1, L2, L3, L4, L5, R1) - F3 (LT, RT, L1, L2, L3, L4, L5)
Bb Major Scale
Bb2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - C3 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3) - D3 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - Eb3 (LT, RT, L1, L2, L3, L4, L5, R1) - F3 (LT, RT, L1, L2, L3, L4, L5) - G3 (LT, RT, L1, L2, L3, L4) - A3 (LT, RT, L1, L2, L3) - Bb3 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4)
C Major Scale
C2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3) - D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - E2 (LT, RT, L1, L2, L3, L4, L5, R1) - F2 (LT, RT, L1, L2, L3, L4, L5) - G2 (LT, RT, L1, L2, L3, L4) - A2 (LT, RT, L1, L2, L3) - B2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - C3 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3)
3. Simple Practice Melodies
(Great for applying new fingerings!)
"Hot Cross Buns":
Bb2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - A2 (LT, RT, L1, L2, L3) - G2 (LT, RT, L1, L2, L3, L4)
Bb2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - A2 (LT, RT, L1, L2, L3) - G2 (LT, RT, L1, L2, L3, L4)
G2 (LT, RT, L1, L2, L3, L4) - G2 (LT, RT, L1, L2, L3, L4) - G2 (LT, RT, L1, L2, L3, L4) - G2 (LT, RT, L1, L2, L3, L4)
A2 (LT, RT, L1, L2, L3) - A2 (LT, RT, L1, L2, L3) - A2 (LT, RT, L1, L2, L3) - A2 (LT, RT, L1, L2, L3)
Bb2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3, R4) - A2 (LT, RT, L1, L2, L3) - G2 (LT, RT, L1, L2, L3, L4)
"Mary Had a Little Lamb":
E2 (LT, RT, L1, L2, L3, L4, L5, R1) - D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - C2 (LT, RT, L1, L2, L3, L4, L5, R1, R2, R3) - D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - E2 (LT, RT, L1, L2, L3, L4, L5, R1) - E2 (LT, RT, L1, L2, L3, L4, L5, R1) - E2 (LT, RT, L1, L2, L3, L4, L5, R1)
D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2) - D2 (LT, RT, L1, L2, L3, L4, L5, R1, R2)
E2 (LT, RT, L1, L2, L3, L4, L5, R1) - G2 (LT, RT, L1, L2, L3, L4) - G2 (LT, RT, L1, L2, L3, L4)
4. Contrabassoon Fingering Tips for Beginners
- Master the bassoon first - most contrabassoon players start on bassoon to develop embouchure and technique.
- Always use a seat strap to support the contrabassoon's heavy weight - this is absolutely essential.
- Form a proper embouchure: place the large double reed between your lips, not too tight or too loose.
- Keep fingers curved and close to the keys for quick, efficient movement.
- Ensure all tone holes are completely covered to avoid airy or squeaky sounds.
- Use both thumb keys (LT and RT) consistently for proper support and tone quality.
- Practice long tones to develop a consistent, clear sound and breath control - contrabassoon requires substantial air.
- Breathe deeply from your diaphragm - contrabassoon requires even more air support than bassoon.
- Start slowly with a metronome and gradually increase tempo.
- Listen carefully to your tone and intonation - use a tuner regularly, especially in the very low register.
- Maintain your large double reeds properly - they need to be moistened and cared for regularly.
- Clean your contrabassoon regularly, especially after each practice session.
- Master the transition between registers - the break between notes can be challenging.
- Develop proper posture - sit up straight with the instrument supported by the seat strap.
- Be patient - contrabassoon is a very complex instrument that requires significant time and consistent practice.
- Consider the instrument's size - make sure you have adequate space and a proper seat strap setup.
Understanding the Contrabassoon Fingering
🔗 Related Instrument
The contrabassoon is the larger, lower-pitched version of the bassoon. If you're learning contrabassoon, you may also find our Bassoon Fingering Chart helpful, as most contrabassoon players start on bassoon to develop embouchure and technique.
Contrabassoon Anatomy and Parts
Before learning fingerings, familiarize yourself with the contrabassoon's components. The contrabassoon is the largest and lowest-pitched double-reed woodwind instrument.
Key Components:
- Wing Joint: Upper section containing left hand keys
- Bass Joint: Lower section containing right hand keys
- Bell: Large flared end that projects deep sound
- Bocal: Long curved metal tube connecting reed to instrument
- Reed: Large double reed that vibrates to create sound
- Keys and Pads: Complex system of approximately 30-35 keys
- Thumb Rest: Supports the weight of the large instrument
How the Contrabassoon Works
The contrabassoon produces sound when air is blown through the large double reed, creating vibrations inside the very long conical tube. The instrument's enormous size and complex key system allow it to produce the deepest tones in the woodwind family. By opening and closing keys, you change the effective length of the vibrating air column, producing different pitches.
🎼 New to the Contrabassoon?
Just starting your contrabassoon journey? Our comprehensive guide covers everything from embouchure to reed care:
Understanding Musical Notes
Musical notes are the building blocks of music. The contrabassoon uses the same note names as other instruments but sounds in the contrabass register.
Want a deeper primer? Read our Music Notes Guide for beginners.
The Musical Alphabet:
- Seven natural notes: A, B, C, D, E, F, G
- Five sharps/flats: A♯/B♭, C♯/D♭, D♯/E♭, F♯/G♭, G♯/A♭
- 12 total pitches in Western music (chromatic scale)
- Contrabassoon range: Bb0 to F4 (approximately 4 octaves)
Half Steps and Whole Steps
Understanding intervals is crucial for mastering contrabassoon fingerings and music theory.
Half Step (Semitone):
- The smallest interval in Western music
- Example: C to C♯ or E to F
- On piano: distance between adjacent keys
Whole Step (Tone):
- Two half steps combined
- Example: C to D or F to G
- Skips one key on the piano
Contrabassoon Range and Registers
The contrabassoon has a range of approximately 4 octaves, from Bb0 to F4. Its deep, rich tone makes it essential for orchestral music, providing the lowest voice in the woodwind section.
Contrabassoon Range:
- Lowest note: Bb0 (written Bb0)
- Highest common note: F4 (written F4)
- Total span: About 4 octaves
- Sweet spot: C2-G3 (most comfortable range)
Common Contrabassoon Fingering Patterns Chart
Here are fundamental fingering patterns to get you started. Mastering these will build a solid foundation.
| Note | Fingering/Position |
|---|---|
| Bb1 | Left thumb + first 3 fingers, right first 3 fingers |
| C2 | Left thumb + first 3 fingers, right first 2 fingers |
| D2 | Left thumb + first 3 fingers, right first finger |
| E2 | Left thumb + first 3 fingers |
| F2 | Left thumb + first 2 fingers |
| G2 | Left thumb + first finger |
| A2 | Left thumb only |
| Bb2 | Left thumb + register key |
How to Hold the Contrabassoon Correctly
Proper contrabassoon holding technique is crucial for developing good tone, technique, and preventing fatigue. The contrabassoon is held diagonally across the body with support from a seat strap due to its large size and weight. For comprehensive guidance on proper posture, hand positioning, and advanced techniques, explore our detailed Complete Contrabassoon Fingering Guide.
Key points for proper contrabassoon holding technique:
- Seat Strap: Essential for supporting the instrument's heavy weight
- Left Hand Position: Left hand supports the wing joint, thumb operates keys
- Right Hand Position: Right hand supports the bass joint, fingers curve over keys
- Bocal Placement: Bocal should be at comfortable angle for embouchure
- Posture: Sit up straight with shoulders relaxed and level
- Arms: Elbows slightly away from body, wrists relatively straight
- Balance: Distribute weight evenly between seat strap and hands
Proper holding technique is fundamental to successful contrabassoon playing. The image above demonstrates the correct posture and hand positions needed for comfortable and effective performance. Notice how the player maintains good posture while supporting the instrument's weight properly.
How to Learn to Play the Contrabassoon
- Master the bassoon first: Most contrabassoon players start on bassoon to develop embouchure and technique
- Start with basics: Learn proper posture, hand position, and sound production
- Practice scales: Build finger dexterity and note recognition in all registers
- Use this chart: Reference fingerings until they become automatic
- Play simple melodies: Apply fingerings in musical context
- Control your air: Contrabassoon requires steady, controlled air support
- Develop your ear: Intonation is critical on contrabassoon
- Listen actively: Study professional contrabassoon recordings
- Be patient: Consistent daily practice yields best results
- Find a teacher: Professional guidance is essential for contrabassoon
Best Beginner Contrabassoon Brands and Models
Quality student contrabassoons from trusted manufacturers make learning easier and more enjoyable:
- Fox Model 900: Excellent student model with good intonation ($15,000-20,000)
- Yamaha YCB-822: Reliable intermediate model ($12,000-16,000)
- Puchner Model 32: Solid student choice with good tone ($14,000-18,000)
- Moosmann M36: Excellent beginner model with consistent quality ($16,000-20,000)
- Schreiber S24: Budget-friendly option for beginners ($10,000-14,000)
Practice Tips
- Warm up properly: Start with long tones in comfortable register
- Practice scales daily: All major and minor scales build technique
- Use a metronome: Develop steady rhythm and timing
- Record yourself: Identify areas for improvement
- Control dynamics: Practice playing softly to develop control
- Check tuning: Use a tuner to develop good intonation
- Short, focused sessions: 30-45 minutes is better than one long session
Common Mistakes to Avoid
- Poor reed care: Neglecting reed maintenance affects tone quality
- Incorrect embouchure: Lips too tight or too loose affects sound
- Poor posture: Slouching restricts breathing and affects tone
- Rushing technique: Playing too fast before mastering basics
- Ignoring maintenance: Regular cleaning and servicing is essential
- Inconsistent practice: Regular short sessions better than irregular long ones
- Poor air support: Weak air stream produces weak, unfocused tone